Catch the Bullet 2021
IMDb Ratings: N/A
Genres: Western
Language: English
Release Year: 2021
Director: Michael Feifer
Stars Cast: Jay Pickett, Gattlin Griffith, Mason McNulty
Director: Michael Feifer
Stars Cast: Jay Pickett, Gattlin Griffith, Mason McNulty
Catch the Bullet Screenshots
Catch the Bullet Review
Director Michael Feifer's third western film "Catch The Bullet," starring Jay Pickett, Peter Facinelli, and Tom Skerritt, shared something similar with his two previous opera horses "A Soldier's Revenge" (2020) and and "Wyatt Earp's Revenge" (2012). Feifer has photographed all three in the open in public places that clearly show his respect for this unchanging boundary. Viewing the magnificent landscape sweeps beneath us as the camera drones of Hank Baumert Jr. The camera passes over an expansive mosaic of mountains, deserts, and streams not only enhances the splendor of the west, but also envelops the galloping horsemen. Specifically, Feifer shot "Catch The Bullet" at the TA Guest Ranch in Buffalo, Wyoming. If you are looking for a place to visit in the past, the TA Guest Ranch seems perfect. Historically, this revered farm was within the notion of the Johnson County Cattle Wars which was notorious for 1889-1893. If you have ever seen Steve McQueen from the western "Tom Horn" (1980) or "The Gate to Heaven" (1980) starring Kris Kristofferson & Christopher Walken, you will enjoy these great places beyond life. It is reported that these wooden structures are still proud of the bullet holes from that ancient struggle. In particular, these solid Wyoming settings provide "Catch The Bullet" with a reality that no Hollywood background can ever repeat. Westerners always seem to have a lot of fun when good guys lick bad guys in a very nice place that is as eye-catching as the thought. While the saga of new author Jerry Robbins about the abduction of the son of a veteran legal veteran by one of his enemies is extremely traumatic, the traumatized, weather-stricken characters and their lively dialogue reinforce this median, R, 88-minute opus.
A bubble with a deep meaning from blurring to blurring, "Catch The Bullet" avoids the freedom of humor and does not show interference by killing important characters. Feifer makes us happy by competing in the stable. Our ugly character, sworn in, U. S. Marshal Britt MacMasters (Jay Pickett "Soda Springs"), rounds up three bank robbers with gimlet eyes on their farm and blows them up with their boots. Feifer tries to impersonate Sam Peckinpah, but his shooting reminded me of "Gun Smoke." Still, our hero develops his skills with guns. MacMasters spent three months following the dastards. Later, as he conducts his new quarry, this nonsense tin star pretends to have a seventh sense when the attacker tries to shoot him in the back. Meanwhile, on MacMasters' farm, another argument erupts between his elderly father Dex (Tom Skerritt's "Top Gun") and six delicacies. The leader of the gang, Jed Blake (Gattlin Griffith of "Green Lantern"), was sweating for five years in prison because of the MacMasters. Now, Jed has been released from prison and is serving a life sentence. A short shot is fired, and Britt's father kills one of the six but grabs a slug from his shoulder. Jeb kidnaps a 12-year-old marshal's son, Chad (Mason McNulty's "Assimilate"), and shoots Chad's colleague Albert Hansen (Ryder Kozisek) in cold blood. This brutal act of murder evokes memories of Sergio Leone's art "Once Upon A Time in the West" (1968) when Henry Fonda killed a young child. Earlier, Chad had complained to Albert about the lost father who allowed his lawyer's duties to exceed his role as a single parent. Jed and company roar and Chad stumbles in the dust at the end of the rope.
Basically, "Catch The Bullet" boils down to father and son in the west. Naturally, when MacMasters learns about Jed, he tells Dex that he will find Chad. Interestingly, Jed did not leave a message on the marshal about his intentions. Before the MacMasters climbed into the seats, Sheriff Wilkins (Peter Facinelli of "Twilight") persuaded his greenhorn deputy, Tucker (Callder Griffith of "Miracle in the Valley"), to ride with him. Wilkins wanted to keep up with the MacMasters, but the manager assured him to stay. She's afraid Jed might turn around. At the time, the MacMasters hired a clever, half-born Pawnee, Chaska (Cody Jones of "Hired Gun"), with a notorious scout.
Feifer and author Jerry Robbins fill the running time with a bullet-proof melee competing with heroes and criminals and bloody Sioux Indians. Predictably, the Sioux are angry because the immigrants have fled their country. Not surprisingly, the Sioux — portrayed as phantom stings in animal skins — faced extinction when Britt and Chaska released their explosives. At this point, Jed's kidnapping plot takes a strange turn. Chad angers Jed with two attempts to escape. After all, "Catch The Bullet" reminded me of O'Henry's ancient myth "The Redeemer of the Red King," in the July 6, 1907, issue of the Saturday Evening Post. In this brief story, two swindlers kidnap a child who turns out to be a nightmare. During the failed escape attempt, Chad knocks Jed aside, and the robber smashes his face against a stone. This type of witchcraft belittles the criminal and makes him look like a buffalo.
In general, "Catch The Bullet" appears as a sad, but violent horse opera with mixed jaws, high production rates, and a wonderful world. Clothes, guns, and leather goods are very timely. Jay Pickett made a convincing lawyer who lost his wife in a tragic accident involving a dispute with offenders on a nearby farm. This painful memory keeps Britt away from his farm and his father and son who never left him. Inevitably, the father and son will be reunited and reconciled. Unexpectedly, Feifer brought down both Peter Facinelli and Tom Skerritt in sad parts. Veteran lens Hank Baumert Jr. You make "Catch The Bullet" look attractive, and the TA Guest Ranch is on my bucket list. The only downside to this amazing aerial movie is the clever tire tracks made by filmmakers from aerial photography. Most likely, Feifer and the company were hoping that viewers would forgive them for this act of anachronism.
A bubble with a deep meaning from blurring to blurring, "Catch The Bullet" avoids the freedom of humor and does not show interference by killing important characters. Feifer makes us happy by competing in the stable. Our ugly character, sworn in, U. S. Marshal Britt MacMasters (Jay Pickett "Soda Springs"), rounds up three bank robbers with gimlet eyes on their farm and blows them up with their boots. Feifer tries to impersonate Sam Peckinpah, but his shooting reminded me of "Gun Smoke." Still, our hero develops his skills with guns. MacMasters spent three months following the dastards. Later, as he conducts his new quarry, this nonsense tin star pretends to have a seventh sense when the attacker tries to shoot him in the back. Meanwhile, on MacMasters' farm, another argument erupts between his elderly father Dex (Tom Skerritt's "Top Gun") and six delicacies. The leader of the gang, Jed Blake (Gattlin Griffith of "Green Lantern"), was sweating for five years in prison because of the MacMasters. Now, Jed has been released from prison and is serving a life sentence. A short shot is fired, and Britt's father kills one of the six but grabs a slug from his shoulder. Jeb kidnaps a 12-year-old marshal's son, Chad (Mason McNulty's "Assimilate"), and shoots Chad's colleague Albert Hansen (Ryder Kozisek) in cold blood. This brutal act of murder evokes memories of Sergio Leone's art "Once Upon A Time in the West" (1968) when Henry Fonda killed a young child. Earlier, Chad had complained to Albert about the lost father who allowed his lawyer's duties to exceed his role as a single parent. Jed and company roar and Chad stumbles in the dust at the end of the rope.
Basically, "Catch The Bullet" boils down to father and son in the west. Naturally, when MacMasters learns about Jed, he tells Dex that he will find Chad. Interestingly, Jed did not leave a message on the marshal about his intentions. Before the MacMasters climbed into the seats, Sheriff Wilkins (Peter Facinelli of "Twilight") persuaded his greenhorn deputy, Tucker (Callder Griffith of "Miracle in the Valley"), to ride with him. Wilkins wanted to keep up with the MacMasters, but the manager assured him to stay. She's afraid Jed might turn around. At the time, the MacMasters hired a clever, half-born Pawnee, Chaska (Cody Jones of "Hired Gun"), with a notorious scout.
Feifer and author Jerry Robbins fill the running time with a bullet-proof melee competing with heroes and criminals and bloody Sioux Indians. Predictably, the Sioux are angry because the immigrants have fled their country. Not surprisingly, the Sioux — portrayed as phantom stings in animal skins — faced extinction when Britt and Chaska released their explosives. At this point, Jed's kidnapping plot takes a strange turn. Chad angers Jed with two attempts to escape. After all, "Catch The Bullet" reminded me of O'Henry's ancient myth "The Redeemer of the Red King," in the July 6, 1907, issue of the Saturday Evening Post. In this brief story, two swindlers kidnap a child who turns out to be a nightmare. During the failed escape attempt, Chad knocks Jed aside, and the robber smashes his face against a stone. This type of witchcraft belittles the criminal and makes him look like a buffalo.
In general, "Catch The Bullet" appears as a sad, but violent horse opera with mixed jaws, high production rates, and a wonderful world. Clothes, guns, and leather goods are very timely. Jay Pickett made a convincing lawyer who lost his wife in a tragic accident involving a dispute with offenders on a nearby farm. This painful memory keeps Britt away from his farm and his father and son who never left him. Inevitably, the father and son will be reunited and reconciled. Unexpectedly, Feifer brought down both Peter Facinelli and Tom Skerritt in sad parts. Veteran lens Hank Baumert Jr. You make "Catch The Bullet" look attractive, and the TA Guest Ranch is on my bucket list. The only downside to this amazing aerial movie is the clever tire tracks made by filmmakers from aerial photography. Most likely, Feifer and the company were hoping that viewers would forgive them for this act of anachronism.
